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He became a full-fledged cinematographer in Kandelerong Pilak (Silver Candlesticks), 1954, which won for Lilia Dizon the best actress award in the Cambodian Film Festival. As actor, Accion appeared in films like Ang Lalaki (The Male), 1947; Sierra Madre, 1948; Tambol Mayor (Big Drum) and Kandidato (Candidate), 1949; In Despair, 1950; and Donato, 1954.

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The AWF specializes and offers courses in improvisation and the Eric Morris system of work. She is married to Rodolfo Jao, and their nine children reside with them in Valparaiso, Indiana, USA. This was followed by Campo O’Donnell (Camp O’Donnell), 1950, a war film, where she portrayed the daughter of Pancho Magalona and Linda Estrella.

It also conducts special craft workshops for specific movie productions, and one-on-one tutorials for lead and support actors. Her biggest break came when she portrayed the role of a maltreated waif in Roberta, 1951.

His partners in this venture were his wife and two high school buddies, film assistant director Gregg de Guzman and sound director Amang Sanchez.

Their first movie production was Tanikala (Chain), 1980, a period film.

Among his award-winning works as director of photography are: Karnal (Carnal), 1983, Urian and Metro Manila Film Festival (MMFF) awards; Pahiram ng Isang Umaga (Lend Me One Morning), 1989, with Eduardo Jacinto and Nonong Rasca, Urian and Star Awards; and Misis Mo, Misis Ko (Your Wife, My Wife), 1989, Star Awards. Abelardo went to the United States to train as scenic artist in early Hollywood films, such as Footlight Parade, 1933, and Charlie Chaplin’s Modern Times, 1936.

As film editor, he won the Urian award for Brutal, 1980, with co- editor Mark Tarnate. In local movies, he pioneered the art of cinematographic wizardry. His parents are Rafael Accion and Filomena Bautista.Its centerpiece project is its AWF Scholarship Program for Young Actors which provides selected talents a year-long curriculum and training in acting. The film broke box-office records and helped Sampaguita Pictures rise again after a big fire gutted its studio. Nolasco ’s Siete Dolores (Seven Sorrows) and Mga Busabos ng Palad (Slaves of Fate), 1948; Eddie Infante ’s Ina (Mother), 1948; and Tony Arnaldo’s Anak ng Pulubi (Child of a Beggar), 1951.At one time, AWF produced a 30-minute daily TV drama called Wakasan which served as a practicum for workshop participants. She became the most popular child star of the decade of the 1950s, sharing top billing with major stars, such as Pancho Magalona and Lillian Leonardo in Anghel ng Pag-ibig (Angel of Love), 1951; Gloria Romero in Rebecca and Ramon Revilla and Sylvia La Torre in Ulila ng Bataan (The Orphans of Bataan), 1952; Katy de la Cruz and Norma Vales in Cumbanchera, 1953; and Fred Montilla in Nagkita si Kerubin at si Tulisang Pugot (Cherubim Meets Headless Bandit), 1954. Aguirre made her screen debut in Sampaguita Pictures ’ Himagsikan ng mga Puso (Revolt of the Hearts), 1938, which was based on the novel by Julian Cruz Balmaseda, Tala ng Bodabil (Star of Vaudeville). During the 1950s she was an exclusive contract star of LVN Pictures for mother roles in films like Pag-asa (Hope), 1951; Tia Loleng (Aunt Loleng), Tenyente Carlos Blanco (Lieutenant Carlos Blanco), and Matador (Bullfighter), 1952; and Tumbalik na Daigdig (Topsy-Turvy World) and Sa Paanan ng Bundok (At the Foot of the Mountain), 1953. She is the eldest child of Bernardino Alatiit of Roxas City and Angelica Liguid of Cavite. After high school, she took a one-year course on tourism and travel at the Centro Escolar University.Its founders were noted actors and directors from the film industry, including Johnny Delgado, Laurice Guillen, Peque Gallaga, Leo Martinez, Ishmael Bernal, Rudy Fernandez, Amy Austria, Vivian Velez, Rowell Santiago, Mario Taguiwalo, and Ricardo Puno Jr.The AWF membership as well as its teaching staff is composed largely of practicing actors involved actively in film, television, and theater. Her parents are actor Linda Estrella and Adriano Agana. Paul College, Quezon City and Philippine Women’s University (PWU). Perez of Sampaguita Pictures, who gave her a bit part as a solo ballet dancer in Milagro ng Birhen ng mga Rosas (Miracle of the Virgin of the Roses), 1949.When not producing movies, they rent out their equipment to other filmmakers and conduct seminars and workshops for aspiring talents. His parents are Juan Abelardo, a scenic painter, and Cecilia Velayo, a designer of women’s costumes.

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